There are certain movies that cover emotional material that
seems to hit a brick wall with being accessible to the greater public. It’s
understandable, some topics are just too alienating, too unique to the
situation; it is one thing to witness horrible crimes afflicted against someone
and relate to concepts of physical pain, but it’s another to sympathize with
emotional or psychological distresses that one has yet to endure or even be
around; to see someone fighting an invisible demon. I’ve seen many great movies
that have covered ground that I’ve lived and breathed so they’ve resonated with
me, a feature serving as a testament that I’m not alone in my experiences. But
when presenting said movies to others, they seem ineffectual- they fail to
relay the experience to the viewer properly. Does it make said movies bad? Or
do they fail to serve the purpose that the medium hopes to achieve? I would
argue yes and no to the latter. The solace it provides me that I’m not alone is
invaluable, but still, I hope to use film as a way to engage others with what I’ve
been through, to ache with the character the way they would with a more topical
human dramatic piece. This fall may be the first time I’ve seen a movie that’s
humanized and created a vehicle for understanding mental illness accessible to
more than just those who have been afflicted with David O. Russell’s
masterpiece, Silver Linings Playbook.
Silver Linings
Playbook is, undeniably, a special movie. From the moment Bradley Cooper
appears onscreen, he’s sympathetic- a relentlessly optimistic recovering
bipolar patient treading water, attempting to reintegrate himself into the real
world. His determination to win back his wife is the focal point of the movie,
a flailing and heartbreaking desperation that strikes a nerve almost instantly.
What’s most incredible about Pat is how tangible the wall is that blocks him
from relating with his family and friends, alienation between the way his brain
works and others trying to understand so they could help him. It’s beautiful,
it hurts, and it’s so fucking real. Silver
Linings Playbook works particularly well in replicating reality and the
constantly changing undercurrent that drives life- heartbreak, laughter, pain,
resentment- all bleed together, driving the viewer to shift dramatically from
tears to unbound joy seamlessly. To call the movie an emotional rollercoaster
would be an understatement.
Moreso, there’s a relatability to each character onscreen,
even when their perspectives are combating one another. Even characters who receive
limited screen time feel fulfilled and three-dimensional, a partial echoing of
our own lives, but also due to the mind-blowing direction of David O. Russell.
Mentioning Russell, it’s hard not to discredit the blurred genre lines of the
movie- at once at tense family drama, a goofy dialogue-driven comedy and a
blissful indie romance, Russell presents the film as if he’s set up a camera in
a household rather than creating a movie, cutting the best bits together. Gone
is the barrier that blocks the audience from submersing itself into the film;
rather, it feels like we KNOW everyone
onscreen.
It should go without saying that the cast is phenomenal.
Jennifer Lawrence is that rare teen star who demonstrates her chops for acting
professionally and with the integrity of a veteran to the stage. She shares
screen time with Robert De Niro reverently, often upstaging the legendary
actor, despite his solid comedic performance here. Bradley Cooper remains my
biggest shock for the movie, delivering his wild-eyed, erratic Pat as
crushingly loveable.
My biggest joy here was the swift romantic plot between
Tiffany and Pat feeling like a true, sustainable relationship. The chemistry is
on fire, and the development of the romance doesn’t feel contrived. In fact,
watching the pair onscreen felt like watching love grow for the first time
within the two characters. There’s nothing wild, no far-fetched gesture of
dedication, just pure feeling found between two people existing on the edges of
society.
I won’t lie to you, I’m at a bit of a loss for words with
this one. After seeing the movie twice, I was in awe-struck both times. Being a
cinephile, not unlike an addict, is a constant search for a rush. Sometimes I
wait years before something resonates with me to a point where I can’t stop
talking about it, let alone thinking about it. Silver Linings Playbook is that movie that simultaneously confounds
and amazes. Sometimes the most magical moments come in simple packages; walking
out of Silver Linings Playbook is the
kind of film experience that makes life seem a bit more colorful, that makes
family and friends and the loving support system we take for granted seem so
much more important. I can’t sing its praises loudly enough- there’s something
for everyone here.
Grade: A
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